n.超小說(shuō)(現(xiàn)代小說(shuō)流派或其作品；有意強(qiáng)調(diào)作者的媒介作用和寫(xiě)作技巧；忽略傳統(tǒng)寫(xiě)作中對(duì)真實(shí)性的關(guān)注)

Historiographic Metafiction:The New Direction in Postmodernist Fiction? 歷史編纂元小說(shuō)--后現(xiàn)代主義小說(shuō)新方向?

Besides, it fits the formula of “historiographic metafiction” well. 桑塔格是一個(gè)“自變”型的作家，經(jīng)常被指責(zé)自相矛盾；

With the concept of polyphony, The article makes a new explanation of The French Lieutenant's Woman which was always regarded as a "metafiction". 本文以復(fù)調(diào)理論對(duì)福爾斯的這部一向被視為“元小說(shuō)”的作品進(jìn)行新的闡釋。

At first many reviews of metafiction were negative, regarding it as self-indulgence and decadence characteristic of the exhaustion of artistic forms. 最初評(píng)論界關(guān)于超小說(shuō)持否定態(tài)度，認(rèn)為超小說(shuō)是藝術(shù)形式枯竭的標(biāo)志，是現(xiàn)代藝術(shù)家的自戀與自我放縱。

Metafiction also espels entirely the author out of text by fabricating "the death of author "and "the presence of author" aim to make narrative text more signified. 無(wú)論是“作者之死”，還是“作者出面”，它們都有著相同的目的，這就是將敘事文本進(jìn)一步能指化。