n.女子男征

At the end of the 1960s, with the decline of masculinism, a completely new artistic school called feminism appeared in the West. 摘要20世紀(jì)60年代末，隨著“男性主義”的衰落，在西方藝術(shù)領(lǐng)城出現(xiàn)了一個(gè)全新的藝術(shù)流派-女性主義。

But,as influenced by his deep-rooted traditional ideology of masculinism,the images of fiery women also reflect Lao-She s dilemma of value tropism. 但是老舍所受傳統(tǒng)思想的影響又是根深蒂固的,這些悍婦的形象分明體現(xiàn)出作者潛在的男權(quán)意識(shí),表現(xiàn)出其潛在的價(jià)值兩難取向。

This narrative as such presents clearly the prejudice of masculinism and man-centeredness held by the contemporary male authors and the mainstream social discourse represented by these authors. 這種“女性敘事”反映了當(dāng)代男性作者及其代表的社會(huì)主流話語(yǔ)所持有的女性觀念依然打上了深刻的男權(quán)烙印和男性中心意識(shí)。

Unconsciously, this principle concludes the awakening of the female individual into the category of the awakening of the male individual so that from the very beginning it lost its way in masculinism. 此種準(zhǔn)則在有意無(wú)意之中將女性個(gè)體的覺醒納入了男性個(gè)體覺醒的范疇，致使其從一開始就陷入了男性主義的迷途。

Key words: Peal. S. Buck ; The Good Earth ; feminism ; masculinism 作者簡(jiǎn)介:黃玲，女，1967年生，碩士，講師，主要研究方向?yàn)橛⒄Z(yǔ)語(yǔ)言學(xué)。